2020s
Castle Freak is an interesting update to a familiar horror film, and manages to add more of the Lovecraftian influence back into the world.
Death to 2020 says a farewell to the year in the best way possible, inviting every viewer to join in the experience and the catharsis.
The Dry has just enough mystery and intrigue lingering at every begrimed frame to keep the audiences invested.
Alex Lines had the chance to talk with director Dante Lam about his latest film The Rescue.
The Midnight Sky is another example of something that could’ve been a complex and emotionally affecting work of science-fiction, but quickly collapses.
The Ripper, the eponymous killer, and the series expose the misogyny with aplomb at every step and moreover, it is persistently captivating.
Lacking excitement, humor or focus, unfortunately, Sister of the Groom is a wedding only fit for 2020.
Enfant Terrible, Oskar Roehler’s filmic biography of Rainer Werner Fassbinder, intertwines this political manifesto with its subject’s personal life.
Kirsten Johnson’s film is a wonderful testament to both her aging father and the importance of treasuring the people we love most in life.
Film Inquiry recently had the chance to speak with director Helena Coan about her loving documentary, Audrey.
High Ground passes every landmark of the proliferating Meat Pie Western but is unable to escape the calculable cliches.
Though not without its flaws, Wonder Woman 1984 proves to be a worthy and striking follow-up to an already great prequel.
I’m Your Woman, the fourth feature film directed by Julia Hart, offers some unique twists on the ‘70s crime thriller.
Despite its many strengths and successes, Education was the only Small Axe film that left me wanting more.
The crystal-clear visual spectacle is on full display, making this 4K Ultra HD Blu-Ray of Tenet comes highly recommended.