2020s
As it is, The Stand, has some great direction and acting, even if some of the time management isn’t on point.
While it may seem to soon, 76 Days is a vital documentary that is a testament to those at the frontlines during the lockdown of Wuhan.
The Test & the Art of Thinking is an important documentary, highlighting a particular issue in education that is connected to a larger problem.
Dating Amber takes those uncomfortable moments from adolescence and highlights just how difficult growing up can be.
Penguins: Life on the Edge continues to be remarkable, capturing filmmakers risking life and limb to bring us footage of wonders yet unseen.
For their disability day special, Film Inquiry contributor Diego Andaluz interviewed Run’s director Aneesh Chaganty and co-producer Natalie Qasabian.
For a true story about changing the rules, Safety sticks strictly to the dusty sports drama playbook.
From IDFA Musanna Ahmed gives his first report, detailing thoughts on The Grocer’s Son…, White Noise, Silent Voice, and Bulletproof.
On the surface, Sphere — a 1998 flop directed by Barry Levinson and adapted from Michael Crichton’s hit sci-fi thriller — is perfect for lockdown.
Alex Wheatle is yet another strong showing from Steve McQueen and company, and one that feels more personal than the rest.
A genuinely unusual movie that will elicit a genuinely unusual reaction, Wild Mountain Thyme is shockingly terrible.
Mariusz Wilczynski’s Kill It and Leave This Town is art in its purest form; sincere, evocative, and intimate.
Jim Dixon sat down to interview with director Vladislav Kozlov and the cast of their upcoming film, Immortalist.
The Queen’s Gambit is stunning and exhilaratingly enjoyable, but it ultimately leaves me as a viewer just wanting more of it as a whole.
Dear Santa is a film that proves love and charity are all around, showing that Christmas is not just for children, but for the communities and the heart.