2022
Still Working 9 to 5 is a captivating documentary not only entertains but also invites both new and seasoned fans to rediscover.
Apolonia Apolonia manages to paint a fairly engaging portrait of an artist discovering the intimate balance between success and her freedoms as an artist.
Writer and Director Makoto Shinkai talks about his film Suzume, his influences, video games, mourning, loss and having an asteroid named after him!
Courtney Gets Possessed will bind you to its celluloid core, delivering one of the most fun and entertaining possessions the devil has to offer.
Las Leonas depicts what happens when the power of sport meets the fortitude of women: not miracles, no, but still something beautiful and worth celebrating.
The Elderly is an explicit horror venture and if you are one of the horror-loving film buffs, this is an undoubted treat.
Only In Theaters is a love letter to film – a history lesson, the biography of a legacy – showing a love for its subject and the art form of film.
I have always believed in the art of animation. It is more than just a…
Ultimately, Top: Gun Maverick preserves the atmosphere of a timeless era and places it in the modern-day, harnessing an infectious energy.
In a packed year for the movies, the film scores of 2022 are equally plentiful. Here are the best film scores of the year, ranked.
At this year’s Melbourne International Film Festival, Sean Fallon reviews Hello Dankness, Biosphere and Art Talent Show!
Before, Now & Then is a film that dares to ask this question and forces us to wrestle with the painful truth at the core of the answer.
I Like Movies manages to strum all the right cords in a truly unique celebration of cinema itself.
King On Screen is one hell of a trip down Stephen King cinema memory lane.
