2024
The prevailing refrain of Thelma is how it supersedes expectations in all manner of ways.
How I Roll is not just for those familiar with the difficulties of MS, but those who wish to see how the human heart can endure and continue to thrive.
Michael Friberg’s newest short, You Are Here, blends comedy and existentialism as one man grapples with the sheer scope of existence.
Princeton’s in the Mix skewers a mother’s obsession with her son’s performance on the SATS, taking the potential consequences to an extreme.
My Sweet Land is a somber warning call that its events are not contained in one place or time, they are the story of humanity.
Universal’s marketing kind of screwed the pooch with Abigail. I’m going to explore where specifically the advertising fumbled, and why.
For the viewer who doesn’t mind overt imitation– Beacon, with its twists, turns, and choppy seas, may hold some interest.
They’re Here will struggle to connect to its audience, too often feeling as though it is attempting to only reach others whose experiences matches its own.
Ultimately, though the package may feel familiar, The Devil’s Bath still has cogent ideas to share.
Brats is a reminder old wounds can calcify and scab over turning into the foundation for something all the more beautiful.
From Tribeca Film Festival 2024, Soham Gadre takes a look at CHAMPIONS OF THE GOLDEN VALLEY, BAM BAM: THE SISTER NANCY STORY & THE WEEKEND!
The overall effect is an icky jumble, at once anesthetizing and agitating, languorous and frenetic, a cinematic case of acid reflux.
Reading Rainbow cultivated an environment that was safe for kids and equally empowering — it engendered curiosity.
Wildcat becomes a lens through which to see beauty and empathize with one of our great American writers – and what a gift it is.
Liu Jian’s Art College 1994 rejects these clichés and instincts, instead seeing youth in the face of art for what it is: blowing a lot of hot air.