2025
Two Prosecutors is an austere and purposefully unhurried story of seeking to uphold the law in a world where the law prioritises political expediency at any time changeable and at any cost.
There’s a new War of the Worlds movie. It stars Ice Cube and is streaming…
With James McAvoy’s directorial debut, California Schemin’, we follow two young Scots as they scam their way into a record deal to launch their rap careers.
Read on for my thoughts on the latest films from three of my favorite contemporary directors: Christian Petzold, Kelly Reichardt, and Hong Sang-soo.
One Battle After Another urges viewers to shake off the apathy that so often arrives on the heels of fizzling social movements.
Arriving to select theaters this weekend, The War Between is not the type of Western…
Scrappy and befuddled though Megadoc may be, Figgis has captured something inexplicable, compelling, and beautiful seemingly despite himself.
There’s usually no shortage of female filmmakers at the Toronto International Film Festival, and with the festival’s 2025 edition, that continues to be true.
While Driver’s Ed and The Ugly are vastly different films, both provide thoughtful social commentary on their respective issues.
Lloyd Lee Choi brings his feature film debut to Toronto, in what seems like a perfect home for a story about the immigrant experience.
Michael Garcia’s debut feature focuses on the grief of struggling musicians and an A&R rep trying to make a comeback.
Rabbit Trap is a visually satisfying film with a some interesting elements to play with and no propulsion whatsoever.
In Jacque Rabie’s debut feature Orchid, we witness what can happen when that infatuation is taken too far, and when a third person is added to the mix.
One would have to go all the way back to Pain & Gain in 2013 to find a dramatically inclined and nuanced performance from Johnson.