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While “Stardust City Rag” attempts to elevate the series, the whole episode feels tired, limp, and lacking in any coherent vision.
Coupled with skill in front and behind the camera, It is not gore or a body count but pure tension that pulsates through Dead Sound, pushing it forward.
“Absolute Candor” is the first properly disappointing episode that finds Picard treading water and lacking any discernible direction.
VFW is dumb fun, but unfortunately not nearly as much as the description would make it sound.
Colorful, funny, and filled with great performances, Sonic The Hedgehog is a surprisingly above-average video game adaptation.
After two weeks of what was beginning to feel like CSI: Picard, it was nice to return to something recognizably Star Trek in “The End Is the Beginning”.
The Rhythm Section has some enjoyable elements, but in the end, this mostly formulaic flick isn’t the female-driven spy thriller we’ve been looking for.
We salute Rudy Ray Moore, who had a wild idea, got his pals and like-minded folks together, wrangled some money, and went out to make a movie.
Birds of Prey is a colorful ball of chaos. Is it a cinematic masterpiece? Far from it. But it’s an absolute blast, and that’s all it needs to be.
As “Maps and Legends”, the second episode of Star Trek: Picard, comes to an end, it still feels like a show that’s yet to start telling its actual story.
Bad Boys for Life’s plot is straightforward, the action doesn’t push any boundaries, and yet you still leave having had a pretty good time.
Sadly, it’s hard to call this final chapter of the Ip Man saga a successful piece of filmmaking.
Underwater isn’t an outright disaster, but it’s not a diamond in the rough, either.
Spies in Disguise is an almost poetically appropriate summary of everything computer animation has become in the last ten or so years.
The inaugural season of The Witcher manages to outdo expectations over the course of its eight-episode run, but there’s no doubt that the show does have plenty of visible flaws.