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Let the Corpses Tan is an exhilarating and original work of wild genius that we’ve come to expect from directors Hélène Cattet and Bruno Forzani.
Mandy continues to establish Cosmatos’ many predilections as a visual stylist and storyteller, albeit in a significantly more successful package.
If you need to take a break from reading about all of the acclaimed films you’re missing out on seeing at all of fall’s prestigious film festivals, go ahead and watch Final Score.
Kin is a meandering road saga, filled with detours and dull patches and an ending that is both truly bizarre and unintentionally funny.
Team WahlBerg’s latest effort Mile 22 is abysmal, wasting the talents of all parties involved for a schlocky, aggressive shoot ‘em up picture.
Bleeding Steel is a chaotic and extravagant attempt to imitate the futuristic settings of other box office fare of its time, which only highlighted the throwback quality of the central character.
The Meg is not a masterpiece, but it is a perfect Jason Statham vehicle: packed with action and still a ton of fun.
Even with a good hook, How It Ends suffers from lack of vision becoming just a series of scenes that rarely congeals into anything substantial.
There’s certainly fun to be had with this deeply silly slice of R-rated raunchiness, yet The Spy Who Dumped Me struggles to balance its crass brand of humor with shocking bursts of carnage.
The Equalizer 2 takes the raw entertainment value of the original film, inverts it into something unflinchingly brutal, removes the quirks of its main character, and builds to an anticlimactic final battle.
Mission: Impossible – Fallout finds Tom Cruise once again flying through action setpieces for our amusement; it is more than worth the ride.
Skyscraper is the perfect model of an uninspired action film: a mediocre idea saddled with mediocre characters and mediocre action.
The 2014 controversial political comedy The Interview had a lot of hype surrounding it: how has it held up?
A Prayer Before Dawn boasts a fantastic central performance from Joe Cole, but unfortunately, wastes an astonishing true story in favour of genre cliches.
Distorted leaves viewers with a disjointed, unoriginal story, a made-for-tv feel, and underwhelming thrills, with the only saving graces being the presence of Ricci and Cusack.