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The Out-Laws is a workable piece of entertainment, yet will struggle to be a film audiences remember after its release.
Dial of Destiny is not perfect, with noticeable flaws, but it is also very entertaining, exciting, and well-acted.
Ruby Gillman, Teenage Kraken doesn’t make a huge splash, but it does tread well enough to be an enduring animated film for those still in the kiddie pool.
Despite being better than previous entries, it still has some rust that holds it back from being anything more than an average summer blockbuster.
Street Fighter reminds us that even a bad movie can be loads of fun and make you feel like a little kid again.
Donnie Yen might not be King Hu behind the camera, but he’s still a joy to watch in front of it — even in a weaker wuxia like Sakra.
Despite well choreographed action and a gritty performance from Jennifer Lopez, The Mother is not the Mother’s Day vehicle Netflix had hoped it would be.
As much as these influences run through the core of the film, To Catch a Killer becomes a crime thriller all its own.
“Leonor Will Never Die,” from director Martika Ramirez Escobar, is a movie pure in heart even when it falters.
There was a movie here but somewhere along the way it got buried in vitriol and forgot to be entertaining.
In her final report from the 2023 SXSW Film Festival, Kristy Strouse reviews Furies, Fry Bread Face and Me and Late Night with the Devil!
Critiques aside, Shadow and Bone’s second season is not without its successes, and by season’s end, you will find you can’t wait to return.
With the cast all giving fun performances and the visual effect creativity dialed up to eleven, you can’t help but cheer and clap.
Operation Fortune: Ruse de Guerre is not a movie we need per se, but for those enthusiasts of Guy Ritchie, it might have been just enough for them.
Cocaine Bear is funny, and full of plenty of laughs, shocks, and gore in its short runtime.
