animation
Choosing nostalgia over creativity, we explore the successes and pitfalls of Disney and their continuing trend of live-action remakes.
One of the true auteurs of cinema working today, Wes Anderson has become distinguished for his uniquely visual, quirky character-driven films.
Stephanie Archer reports on her time during Tribeca Film Festival 2017, and on day 3 reviews a few short films she got to see.
Blending grounded animation with fantasy, Only Yesterday is a stunning work from Studio Ghibli, expressing down-to-earth life in the country.
The Boss Baby offers occasional laughs and is clearly politically-driven, yet it is ultimately fleeting, forgettable entertainment.
Exploring the role of animated sequels such as Toy Story and Trolls as either worthwhile tales or money making schemes.
While Lego Batman is essentially a spoof movie, it’s especially impressive that this film was able to keep us laughing from beginning to end.
1995’s Ghost in the Shell creates a prescient vision of a connected world that functions as both as character study & social commentary.
We sat down with Kaci Smith to talk about her animation work on Kubo and the Two Strings, working as a rotoscope and digital paint artist.
With varying styles and lengths, the 2017 Animated Short Films offer innovation, emotion, and satisfying storytelling.
Sing is a film which is trying to look on the more positive side of these singing competitions; it is about hope and a real desire to change.
Your Name is the latest anime from Makoto Shinkai; grounded in a contemporary setting, it is as endearing as it is gorgeous to watch unfold.
Monster Trucks is a live action/computer animated film that is made by a regular animation director; unfortunately, it does not go over well.
Though with no dialogue, The Red Turtle is a profoundly moving work of art, culminating in one of the better animations in recent memory.
Miss Hokusai is based on the Japanese manga, and through a series of montages, it tells a powerful story of the struggles of an artist.
