animation
Stephanie Archer reports on Tribeca Film Festival 2020 online, and reviews the animated short films curated by Whoopi Goldberg.
The Clone Wars starts off in the light and ends in the dark. The show ends in an exhale, without a post-credits inhale to give us hope.
As the final season of Clone Wars dipped further and further into the timeline of Revenge of the Sith, it was apparent that we were going to see Ahsoka have to face Order 66 on her own.
As Clone Wars leads us further and further toward end of the series, the show is beginning to set the pawns in place for their final showdown.
Trolls World Tour finds a few of the right notes to pluck from its candy-coated guitar that it’s less likely to induce a headache than most manic animated features.
Disney is brilliantly setting up The Clone Wars and The Mandalorian for the price of one and is creating the kind of connective thread that made the MCU films so successful.
While we’ve followed the bad batch for four episodes now, the reintroduction of Mace Windu and Obi-Wan Kenobi helps to signal to us that we’ve arrived at a new plotline.
Stephanie Archer reviews two short films that were supposed to have its premiere at SXSW 2020: Run On, directed by Daniel Newell Kaufman and The Shawl, directed by Sarah Kiener.
Castlevania is just as exciting as any season that came before and raises the bar with one of the most shocking penultimate episodes of the entire show.
The 3rd episode, “On The Wings of Keerdaks” was just a classic episode of Clone Wars with one thing on the agenda: get out alive. Let’s talk about it.
For our final report from the inaugural Fantastic Film Festival Australia, we take a look at two films that were in production for many years, Away and S He.
This telling of White Snake adds an action-fantasy plot to its romance story, and feels like a mesh of other fantasy films you’ve seen before.
Before I fell in love with Baby Yoda and the gunslinging world brought to us…
Harley Quinn is both entertaining, insightful and inspiring, and opens doors to great possibilities for DC Comics animation.
It’s Onward and downwards for Pixar, as their Dungeons and Dragons inspired latest is one of their most disposable efforts to date.