animation
Ultimately it can’t sustain moments in the same way as the likes of Inside Out, but it’s certainly worth investing time into.
With Pixar generally becoming stunningly formulaic, there is a treacherous yet tangible place opening-up for LAIKA as America’s most original studio.
We Bare Bears: The Movie builds a fast-paced, fun world for a multitude of generations.
For the stunning animation alone, it is worth watching, but don’t be surprised if you find yourself drowning in the film’s strange, surreal story.
Whether elements in My Neighbor Totoro are imagined or real, the film explores family dynamics in a way that may be relatable to a number of individuals.
While missing opportunities along the way, A Whisker Away makes up for it with its stunning original art and world of humanoid cats.
Though initially marketed to a younger audience, Avatar: The Last Airbender offered important and incisive messages to all of its viewers.
The idea of something as simple as Odd Dog being so funny, heartfelt, and poignant is refreshing on several levels.
Next Door Spy is a timid animated film but may be just enough for the kids come quiet time.
Few directors have a filmography as unique as George Miller, who has the power to create moments that’ll be ingrained in your mind forever.
Whether you’re a fan of podcasts or adult animation, The Midnight Gospel offers a mind-bending experience to viewers that has not really been seen before.
Central Park, as a show, goes down like a Manhattan. Straight-up and smooth and quintessentially New York.
The Wolf House uses stop-motion animation to render the world inside the titular house as an ever-evolving nightmare, and is completely immersive despite its freakiness.
Stephanie Archer reports on Tribeca Film Festival 2020 online, and reviews the animated short films curated by Whoopi Goldberg.
The Clone Wars starts off in the light and ends in the dark. The show ends in an exhale, without a post-credits inhale to give us hope.
