animation
Shinkai’s Weathering With You is more than content to face the onslaught with the naive fantasies of youth. He’s unabashed about giving himself over to them totally.
Sean Fallon considers another episode of The Simpsons in his quest to find the all-time greatest episode. Is “Homer’s Barbershop Quartet” it?
I Lost My Body leaves plenty to be interpreted and discovered by its viewers, making it one of the most thought provoking animated films of the 2010s.
Spies in Disguise is an almost poetically appropriate summary of everything computer animation has become in the last ten or so years.
Weathering with You, the latest film from Makoto Shinkai proves that he is one of the most delightfully unique voices working in the world of animation today.
Sadly, Playmobil The Movie merely serves as a reminder of how studios forcing a film around a product didn’t always make for the greatest of entertainment.
When looking at the two most recent of Pixar’s underwhelming sequels, both unquestionably fueled on the nostalgia of its now-grown paying audience, there’s only one clear winner in this fight.
Klaus captures the old fashioned wonder of Christmas within the old fashioned splendor of traditional animation.
Frozen 2 is a perfectly fine sequel. It features gorgeous animation, but the story lacks the magic of the first one. Maria Lattila reviews.
Big Mouth Season 3 continues in the show’s tradition of blunt honesty with a dash of humor, while not being without flaws.
If you have kids, don’t waste the time or the money, Arctic Dogs exists as an animated film that you should miss.
Clement Tyler Obropta explores whether or not Scooby-Doo promotes racist messaging, and how it uses xenophobic thinking to power a praxis of politics for propelling the narrative.
Forgettable and quite boring, The Addams Family is perfectly passable as a children’s film, but not a genre classic.
Mirroring the problematic characters it depicts, Big Mouth is a bit of a disjointed mess, hilarious at times and problematic at others.