Clement Tyler Obropta explores whether or not Scooby-Doo promotes racist messaging, and how it uses xenophobic thinking to power a praxis of politics for propelling the narrative.
Michel Ocelot has always been one to apply the breadth of his creativity towards an easy narrative, but only with Delili does it prove to be something of a barrier to what can be more fulfilling.
Disenchantment Part 2 feels new, current, and understanding of what makes it wonderful – chapter 3 not only feels necessary, but desperately asked for.
Beyond being historically significant and a truly gorgeous film, Son of the White Mare manages to connect with our most ancient arts and make them digestible for any viewer.
An interesting, esperimental short film, The Flying Fish explores the more surreal realms of our existence that lights and cameras alone struggle to conjure up alone.