Australia
In this second part of Going Off, ‘Prestige & Profits’, we detail how financing in the Australian film industry works, what gets funded, and what role prestige titles play in the perception of the modern Australian cultural image.
The BBQ is a low-key Australian family comedy that aspires to be 2018’s answer to 90’s Oz comedy classic The Castle, but it’s too pedestrian to follow in that films footsteps.
Only two weeks into 2018, Swinging Safari is Australia’s worst film of the year thus far with its muddled need to elevate the material.
Though occasionally unsurprising, Better Watch out is a strong alternative to the regular holiday viewing because of the nasty genre thrills it delivers whilst being wickedly funny.
Being a big fan of horror, I’m always keeping track on the new films that…
Jungle suffers from a poor script and awkward pacing and editing, resulting in a film that unfortunately wastes the talents of those involved.
Alex Lines reports from Adelaide Film Festival, and reviews Aussie films Guilty, Sweet Country Cargo and more!
Axel Grigor, editor/director of the documentary about legendary Australian film editor Jill Bilc*ck, spoke with us about his film and editing.
Mini-series Fucking Adelaide premieres at Adelaide Film Festival on October 8 – Alex Lines spoke with Director Sophie Hyde.
Australia Day is a Crash-style drama that contrasts 3 different minorities facing persecution and racism on the backdrop of Australia Day.
Australian director Peter Weir is known for his outsider characters triumphing over adversity; here is a rundown of his most famous films.
Brace yourselves, for Australian horror Hounds Of Love is the most terrifying torture porn film since the genre’s inception.
Australian critic, Alex Lines, delves into the Australian film industry and the problems it faces in a three-part web-series. Part one: What even is an Australian film?
Berlin Syndrome is aligned with many kidnapping narratives, but it suffers from an unfocused approach, but in subject and character focus.
Jasper Jones, Rachel Perkins’ sweet coming-of-age story about racism in a rural town, is one of the best Australian films of recent years.