biography
The Lost City of Z is a work about a British explorer that triumphs in visual splendor, forming an identity as a meditative outlook on life.
A Quiet Passion shows us that there is much more to the mythos of Emily Dickinson than meets the eye, and with Davies’ ever-lyrical vision at hand, the end result is the most comprehensive picture of her that we may ever have.
Most Hated Woman In America never quite lives up to the intrigue of the contentious woman and her story at the heart of the film.
Robert Klein Still Can’t Stop His Leg is a loving insight into the world of influential but sadly unknown stand-up comedian Robert Klein.
God Knows Where I Am lacks the necessary energy, yet successfully tackles the issues of freedom and the unnecessary loss of life.
I first discovered Jeff Nichols back in 2013, when I happened to catch Mud in theaters. Not knowing what to expect, I still remember distinctly how I felt walking out of the theater – I absolutely loved everything about the film. I was stunned by its raw, understated beauty, with characters that lived and breathed, and a coming-of-age story that was uniquely captivating.
Lion will likely be overlooked at this year’s Oscars; with its inspiring heart-wrenching true story, though, it is still worth watching.
A Tale of Love and Darkness is a sincere and emotionally impactful viewing experience; a great directorial debut from Natalie Portman.
Though its feel-good sentiments are hard to resist, there are simply too many tonal and structural issues that hold LION back from greatness.
The Seasons in Quincy is a series of four essays that each paint a portrait of the late John Berger, an extraordinary and versatile artist.
The documentary Off The Rails tells the unusual story of a man with Asperger’s whose extreme love for transit has landed him in jail 32 times.
Reality television might be a norm today, yet in past generations it didn’t exist; looking back, though, we can see its beginnings in film.
Army of One could have been a lot of different things, with plenty of room to shock and titillate fans of Larry Charles’ usual propensity for visceral subversions of cultural norms. Instead, the movie falls flat as a conservative piece of biographical fiction.
A United Kingdom has plenty of flaws, but more than makes up for them with a heart and an affection that is utterly intoxicating.
What helps to distinguish Hacksaw Ridge is that, at its core, it is a film that attempts to combine the seemingly contradictory qualities of pacifism and the violence associated with patriotism.