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If you are looking for the best film of the saga, Star Wars: The Last Jedi is not the film you are looking for.
In the summer films War for the Planet of the Apes, Wonder Woman, and Dunkirk, the serious subject of war is pandered down to its audience.
War for the Planet of the Apes is a must-see, visually stunning achievement and a satisfying addition to the series.
Transformers: The Last Knight is a surprisingly engaging film for the franchise, bringing the series in an interesting direction storywise.
In the second of a series for 2017, we take a run-down through the box office potential of several high-profile summer movies.
Franchise filmmaking is, in contrast to what journalists have been saying, far from a destroyer of movies as we know it: here’s why.
Matthew St. Clair discusses the soul of classic science fiction films captured in this years break out hit The Handmaid’s Tale.
Movie sequels come in many flavors and forms; here is a rough categorization of seven different types that have developed through the years.
Jenkins, Gadot and company all worked admirably to bring the first Wonder Woman film out in a grand, exciting way, and that work has not gone to waste.
In the first of a series for 2017, we take a run-down through the box office potential of several high-profile summer movies.
Our latest “In Defense Of” is The Lost World, the Jurassic Park movie that has typically been overshadowed by its masterful predecessor.
In the 4th episode of the Film Inquiry Podcast, Jay & Mike talk, or rather lament, the state of the superhero genre, discussing Legion and Logan.
Kong: Skull Island is fleeting entertainment, but given its massive budget and the audience’s predisposition to Kong, that’s not a terribly impressive feat.
1976’s King Kong earned a bad rap over the years for its hokey special effects, yet here we explain just why it might be worth a revisit.
We’ve long established that The Academy suffers from racial and gender bias, but could it be that there’s another bias going on at the Oscars?
