Brian Cox
It may not stand against the test of time in all that it has to deliver, but The Ring still proves to audiences why it never sleeps.
Trick ‘r Treat lives up to its reputation taking the traditions of the holiday and wielding them into a horrific tale of lore, murder, and revenge.
Hopefully, Little Room can grow beyond a pilot, but in the meantime, it’s a great way to both enjoy new content and support Covid-19 relief funds.
Succession not just succeeds at expanding the strong foundation that the first season built, it also keeps escalating the stakes, tensions and hilarity.
With poorly constructed flaws, Churchill isn’t an overly powerful reinvention of the traditional biopic film.
The Autopsy of Jane Doe has an absolute doozy of a premise, but it soon gives way to ticking off every horror cliche in the book.
In the days of the revisionist Western, sometimes a throwback to the simple pleasures of the genre’s oldest delights are all that are needed. The only problem with revisiting old cliches is that no amount of nostalgia or charm can make them feel original again, and if performed without either, it comes across as laboured box-ticking in order to fulfil genre requirements. Forsaken unfortunately is the latter, possessing an initial kitsch charm that wears thin quickly when it transpires the film has no unique tricks up its sleeve.
