comedy
Gone is the heyday of the classic 90’s romantic comedy, but why is it that so many contemporary romantic comedies fail?
The best thing about Footnotes is that it’s just 78 minutes. But there are so many other, better ways you could spend your time.
The Sabbatical isn’t your typical midlife crisis film – it is highly unpredictable in the best sense of the word.
Love at First Child offers nothing new in the romantic comedy genre, but some laughs and chemistry between the leads make it a pleasant watch.
We have the Academy to thank for bringing this warmly humorous Swedish gem to our attention – it’s one of the year’s most likeable films.
There’s a way, many ways, actually, to make a satisfying film about a lighthearted romp, but Paris Can Wait never finds any of these paths.
Frank Vs. God delivers a solid thought provoking film about a man who loses everything and fights against the term “act of good”.
Rough Night starts weak- but with a decent amount of laughs and a deconstruction of gender tropes, it soon becomes a breath of fresh air.
Handsome has occasional moments of promise, yet it is bogged down by its shoddy story, underused characters, and failed attempts at humor.
Band Aid is a fantastic directorial debut- an utterly charming romantic comedy and an irresistible musical rolled into one.
Rainy Kerwin’s debut film The Wedding Invitation is a well done romantic comedy with a strong story executed by a strong female cast.
Albert Brooks’s cult classic Lost in America is not just one of the funniest films of the 1980s, but a subtle examination of perspective, too.
A Hard Day’s Night not only works as a celebration of The Beatle’s iconic music, but as a satire on the very nature of stardom and celebrity.
With fine performances and biting humor, Catfight is an interesting satire, delving into power struggles and the human condition.
Diary of A Wimpy Kid: The Long Haul fails from a dreadful script that possesses the unique ability to make 90 minutes feel like an eternity.