comedy
Rough Night starts weak- but with a decent amount of laughs and a deconstruction of gender tropes, it soon becomes a breath of fresh air.
Handsome has occasional moments of promise, yet it is bogged down by its shoddy story, underused characters, and failed attempts at humor.
Band Aid is a fantastic directorial debut- an utterly charming romantic comedy and an irresistible musical rolled into one.
Rainy Kerwin’s debut film The Wedding Invitation is a well done romantic comedy with a strong story executed by a strong female cast.
Albert Brooks’s cult classic Lost in America is not just one of the funniest films of the 1980s, but a subtle examination of perspective, too.
A Hard Day’s Night not only works as a celebration of The Beatle’s iconic music, but as a satire on the very nature of stardom and celebrity.
With fine performances and biting humor, Catfight is an interesting satire, delving into power struggles and the human condition.
Diary of A Wimpy Kid: The Long Haul fails from a dreadful script that possesses the unique ability to make 90 minutes feel like an eternity.
Speech & Debate isn’t great, but is enjoyable despite its plot holes, and features a great performance from Sarah Steele.
Although the idea of reimagining Pride & Prejudice with a same-sex couple, Before The Fall lacks the fiery spirit of the source material.
Though blessed with a talented cast, Baywatch is overall a shipwreck, due to its rudimentary, unfocused script and few laughs overall.
Annie Waits is a well-made short comedy that explores strong themes of young identity and love.
With Take Me, actor Pat Healy brings his talent behind the camera, and in the process creates a delightful twist on the kidnapping narrative.
People is a profoundly packed indie, with the intricacies of the human condition and relationships manifesting into a well-realized film.
With Table 19, writer/producers Mark and Jay Duplass have added another light and breezy flick to their eclectic filmographies.