coming-of-age
Adult Life Skills is a poignant examination of a young woman whose growth has been stunted by grief, carried by Jodie Whittaker’s charming performance.
Writer/director Melissa B. Miller Costanzo’s feature debut touches on the complex nature of relationships with a stunning visual eye, resulting in a thought-provoking journey into the ill-defined nature of transitioning into adulthood.
Lukas Dhont’s directorial debut, Girl, is one of the year’s most irresponsible films, and could have a negative impact on younger trans viewers.
A happy accident spit out the low-budget Hollywood machine, Teen Witch is compelling in a way that no individual person could pull off on their own.
We were able to talk with Megan Griffiths, director of the dark coming-of-age drama Sadie, which is now available in the U.S. on VOD.
The charisma of Macaulay Culkin matched with the intelligent script by John Hughes makes Home Alone the definitive holiday story that it is, appealing to all ages.
Mirai may feel more like a series of vignettes thrown together rather than a cohesive whole, but Hosoda’s wondrous animation style, coupled with a personal look at family dynamics, makes it hard to resist.
The Wild Pear Tree is a character study so richly detailed, the audience is left feeling like we’ve actually spent time with such an insufferable individual once its all over.
Jinn is a colorful portrait of the complexities in life, love and religion that succeeds as a character study far more than as a plot-driven story.
In our latest recap from the Tokyo International Film Festival coverage, Tynan Yanaga reviews Lust in a Karaoke Box and Melancholic.
Boy Erased is a sturdy drama with some touching moments and strong performances, enhanced by much-needed glimpses of dramatic sensitivity within the confines of a tough story.
Though easily levelling with The Wonders in terms of visual quality, the lack of investment leaves Happy as Lazzaro a rather transitory collection of charming anecdotes.
Disquieting and deeply moving, Sadie takes its story to extreme lengths while still feeling utterly grounded in the emotional reality of its characters.
In a decade over-saturated with cheap nostalgia, it is a delight to see a film about the 90s that doesn’t try to be about the 90s; Mid90s tells a timeless story of self-discovery.
Luca Guadagnino’s remake of Dario Argento’s Suspiria seeks to get under your skin, intimately and irreversibly – and succeeds in doing so.