DC Comics
With an emotional family-focused core and some unique visual flourishes, Blue Beetle is surpisingly memorable.
The Suicide Squad is a magnificent blend of gore, heart, and humor that engages its audience instantly with strong performances, and breathtaking visuals.
Though not without its flaws, Wonder Woman 1984 proves to be a worthy and striking follow-up to an already great prequel.
Superman is one of the most difficult characters to write in any given medium. Zach Snyder gave viewers a Superman that we have not seen on screen before.
After the recent Joker trailer, we breakdown the many influences of the infamous character’s latest iteration.
Shazam! is a walk-off grand slam in extra innings, feeling like a statement from a studio and director working so hard to finally get it all right.
By not taking itself too seriously, DC’s Doom Patrol creates a whimsical world of super-heroics that is both fun to watch and easily digestible.
Amanda Nix champions Christopher Abbott as the next Batman, citing his strong veristility as an actor and relatively unknown status reason enough to hand him the keys to the batmobile.
Things are certainly heating up in month 2 of The Flash just in time for them to cool off during the holiday break.
From the brooding Dark Knight through the bulk of the MCU and into the Spider-Verse, the superhero spectrum showcases the many ways in which the genre can adapt and evolve.
Again, Supergirl has never shied away from staying topical and overtly political, and Season 4 is no different.
Aquaman is not really a bad movie by DC’s standards, but it is the weirdest thing they’ve made in recent years by a country mile – and not always in a good way.
As Supergirl’s fourth season prepares for the reintroduction of Lex Luthor to a new generation, the series is as strong as it’s ever been.
In the latest of our Away From the Hype series, we take a look at The Dark Knight Rises, the final cap to Christopher Nolan’s Dark Knight trilogy.
