death
Because the two seasons are about two very different ideas of death, these horror elements had to be presented in starkly different fashions.
As a follow-up to 2008’s Mental, Zero offers a pleasantly intimate but never intrusive portrait of the life of Dr. Masatomo Yamamoto.
Exit Plan is a slow burn, but since its stakes are the choice of life and death, every moment is filled with empathy and intensity.
Marcus Flemmings’ new feature Palindrome eludes narrative convention just as much as it eludes thematic coherence.
Manara is a thoughtful and quietly powerful short film, and feels particularly timely, deserving to be a part of the conversation
Blue has a lot of heart, and being based on true events, never sugarcoats the reality of suicide ideation but it doesn’t glorify it either.
Ira Sachs’ Frankie has Isabelle Huppert in the titular role confronting her own mortality through a cancer diagnosis and on a ticking clock.
3 Days With Dad does not deliver to the audience what it promises, presenting an exercise in patience that goes one day to long.
Living up to its eccentricity and lyrical presence, Every Time I Die extensively utilizes its piercing score and shadowy effects.
Documenting the universal process of death is no easy task, but Alternate Endings find the perfect balance between exploration, education, and empathy.
Where the company has become an auteur-like entity synonymous with good, cheap thrills, The Keeping Hours just isn’t scary enough to live up to Blumhouse’s horror brand.
Dark Victory is yet another film released during the landmark year of 1939 all but cementing Bette Davis’ reputation as a force of nature.
For this Staff Inquiry, we get out the tissues and shake off our shellshock to give our own personal takes on the affecting deaths from film and television.
The Farewell reveals Lulu Wang is a director to watch out for, but loses impact by leaving so many of the themes it wishes to explore unspoken.
Art is inseparable from death. This is one of the main conclusions of Abel Ferrara’s meditation on the always controversial Pier Paolo Pasolini.
