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Laura Birnbaum spoke with Chicago-based filmmaker, author, professor, and critic Michael Glover Smith about his films Cool Apocalypse, to Mercury in Retrograde, and Rendezvous in Chicago.
We spoke with Finnish Filmmaker Timo Vuorensola on his latest film, Iron Sky: The Coming Race. While the film is polarising, there is no denying the passion put into the series.
We spoke with Joseph Cross, director of the upcoming comedy drama Summer Night, about working on Big Little Lies, casting young actors and crafting characters.
Carlos Reygadas is a filmmaker who’s art embodies a self-examination of human existence down to the molecule of each celluloid strip.
With a multidimensional backcatalog, it’s difficult to pigeon-hole eccentric body horror director Stuart Gordon. We’ve given it our best shot
Fuck You All: The Uwe Boll Story is a film that is as direct as its title, and is an interesting insight into what makes a man like Uwe Bill tick.
We spoke with Harry Greenberger about his directorial debut Staring At the Sun, the film’s festival run, and what he has planned next!
Dani Cooper spoke with Darya Zhuk, director of the drama Crystal Swan, about making the film, her inspirations, change in Belarus and more.
With mainstream recognition on the horizon, we take a look back at indie writer-director Alex Ross Perry’s eclectic film history so far.
We spoke with Katherine Propper, writer/director of the short film Street Flame, which premiered at Tribeca 2019.
We were able to talk about Damon Gameau, director of the upcoming documentary about climate change called 2040.
We were able to speak with Monique Sorgen, writer and director of the independent short film Sorry Not Sorry.
We were able to sit down with director Ant Timpson, and stars Elijah Wood and Stephen McHattie to discuss their new and wild film Come To Daddy.
We spoke with Puerto Rican director Zoé Salicrup-Junco about her important short film about the current immigration crisis, Marisol.
Be Natural: The Untold Story of Alice Guy-Blaché does a great service in making sure that we never again forget about Guy-Blaché’s contributions to film history.