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Monique Vigneault settle down over tea with Ina Weisse to talk about her latest undertaking: The Audition, a portrait of a frayed music teacher at a prestigious Berlin academy.
We spoke with director Kevin McMullin, whose film Low Tide hit theaters last Friday to inject the fall frenzy with a reminder of summers by the beach.
When Barry Jenkins makes a movie, he composes an elegy for the sweet life that almost happens. An overview of Jenkins’ work thus far.
Read our beginner’s guide highlighting the career of film director Yasujiro Ozu, a must-see for cinema fans due to his quintessentially Japanese images.
Jim Dixon spoke with director Shawn Ku about his latest film A Score to Settle, working with Nicolas Cage, regret and revenge and what the future holds next.
Kristy Strouse spoke with star, writer and director Camille Hollett-French about the creation of her three Her Story short films, her background and the inspirations that drive her.
Kristy Strouse spoke with Garret Price, director of the documentary on the life of actor Anton Yelchin, Love, Antosha.
Writer, producer and director Nicola Rose spoke to Stephanie Archer about her new shorts, Gabrielle and Into the Land of Moonstones.
Laura Birnbaum spoke with Chicago-based filmmaker, author, professor, and critic Michael Glover Smith about his films Cool Apocalypse, to Mercury in Retrograde, and Rendezvous in Chicago.
We spoke with Finnish Filmmaker Timo Vuorensola on his latest film, Iron Sky: The Coming Race. While the film is polarising, there is no denying the passion put into the series.
We spoke with Joseph Cross, director of the upcoming comedy drama Summer Night, about working on Big Little Lies, casting young actors and crafting characters.
Carlos Reygadas is a filmmaker who’s art embodies a self-examination of human existence down to the molecule of each celluloid strip.
With a multidimensional backcatalog, it’s difficult to pigeon-hole eccentric body horror director Stuart Gordon. We’ve given it our best shot
Fuck You All: The Uwe Boll Story is a film that is as direct as its title, and is an interesting insight into what makes a man like Uwe Bill tick.
We spoke with Harry Greenberger about his directorial debut Staring At the Sun, the film’s festival run, and what he has planned next!