Disney
Dumbo is exhausted and erroneous, less concerned with a magical setting and more concerned with a macabre art-deco style.
Sullivan’s Travels may not quickly come to mind when watching Monsters, Inc., but after examining both films, there is a connection in not only their themes but their structures as well.
Mary Poppins Returns is the uninspired cash-in Disney have become synonymous with, posessing none of the endearing strangeness of the 1964 original.
With half of their films on hold and the other half delayed, where is Disney taking Star Wars from here?
The view on the 1990s Star Wars prequels is synonymous with hubris, failure, and shoddy filmmaking, that is until Disney came into the picture and changed the image completely with its latest additions to the franchise Rogue One and Solo.
With unflinching backlash and polarizing reviews between fans and critics, Star Wars: The Last Jedi has found little favor among the masses – but was this the fault of the storyteller or the company behind the film who always plays it safe.
Nathan Osborne discusses the benefits and theories surrounding his support for Disney’s stand on piracy and hackers.
Choosing nostalgia over creativity, we explore the successes and pitfalls of Disney and their continuing trend of live-action remakes.
Exploring the role of animated sequels such as Toy Story and Trolls as either worthwhile tales or money making schemes.
Disney smartly cast Emma Watson as Belle in Beauty & The Beast; we explore the similarities between the feminist actress and character.
While not as perfect as the original, Beauty & the Beast is an elegant and magnificent display that true love for a film never dies.
Despite initial scepticism, Rogue One: A Star Wars Story is a vividly presented and brilliantly executed standalone Star Wars film.
As a production company, Disney and their famous princesses have changed significantly as a response to changing social norms.
With 2016 ending in cinematic glory, we look back at the widespread success of family films and how they are vital to the cinematic landscape
Disney’s latest film, Moana is sure to please crowds, but it plays it safe by recycling a story that has been told to exhaustion.