diversity
While it might take longer than we want, I hope that in the years to come we have an Academy Awards that shows the true range of cinema.
Kiss The Future is a glimmer of what the world can be when we are one – united by the communal goodness and beauty of art.
Small as it may be, Arab viewers do play a part in Netflix’s algorithms and in generating insights for content. But who exactly are these Arab viewers?
While the purpose of What If? may be to prime the fanbase for multiverse madness, its secondary function is one of image and branding.
The path to democratization is a long one, but film festivals are the independent, flexible, and creative spaces to accomplish the democratization we seek.
Film Inquiry spoke co-founder of new filmmaker incubator, Constellation Incubator.
Levi Aluede hosted a discussion with Tomisin Adepeju, Kashif Boothe, Dauine Carma Roberts, and Anthony Vander about the future of black British filmmakers.
Stephanie Archer takes a look at the two short films Josiah and Day Release which premiered at the Palm Springs International ShortFest.
There was truly no better way for the night to wrap up than with Bong Joon-Ho and Parasite making history.
A conversation with Faridah Gbadamosi, Director of Programming for this year’s COVEN Film Festival opened…
Tragic endings have long been the trend in queer cinema; Queerly Ever After is a column that covers films that give queer characters the happily ever after they deserve.
With so many new stories to tell in the wake of the climactic Endgame, it’s more important than ever for Marvel to consider who those stories are about.
Incredibles 2, while being entertaining in its own right, often feels like a film with a conflicting message, and one that gets muddled up in the process.
We sat down with documentary producers Yvonne Huff Lee and Jason Delane Lee of the Lagralane Group and chatted about their journey into film finance, their favorite past productions, what they have coming up next.
