documentary
“There was nobody but me who knew as much as I knew, and so I…
Only In Theaters is a love letter to film – a history lesson, the biography of a legacy – showing a love for its subject and the art form of film.
The Mad Writer is a testament to the resilience of the human spirit and offers an intriguing, personal glimpse into one individual’s crossroads.
Joan Baez is not without her flaws and shortcomings, but the noise she made with the song of her life continues to reverberate through time and space.
I’ve never seen a documentary quite like Alexander, that started off so strong and vividly emotional…
We take a look at two documentaries from the Camden International Film Festival that have a connection to nature.
Youth (Spring)’s 3-plus hour length is not only necessary, but an absolute gift to sit through.
For the 2023 Toronto International Film Festival, Wilson Kong reviews Craig Gillespie’s Dumb Money and Margreth Olin’s Songs of Earth.
At this year’s Melbourne International Film Festival, Sean Fallon reviews Hello Dankness, Biosphere and Art Talent Show!
King Coal is a rare work of art that manages to look forward precisely by looking backward.
Unspooled like a true crime tale, Satan Wants You writes an origin story for this salacious, sensationalist phenomenon.
A quiet, poignant, and moving documentary, The Deepest Breath is unforgettable.
Have You Got It Yet is a vulnerable and intimate look at the rise of a band and the fall of a genius.
Lynch/Oz is a very film 101 documentary, one which aims to open doors for the performer, lover, and cinema enigma that is Lynch.
While Minted presents intrigue in both the product and the artists behind them, it struggles to become a cohesive unity of art and information.
