documentary
Mucho, Mucho Amor: The Legend of Walter Mercado felt like it was a documentary stuck between a rock and a hard place.
Alex Lines had the chance to talk with co-director Justin Feltman about his documentary Hamtramck, screening at Melbourne Documentary Film Festival.
The Fathering Project turns passion into poetry in the pursuit of finding what it means to be a father in today’s society.
Inmate #1 is a powerful and poignant story with a fairy tale ending that will have you believing miracles really do come true.
Ahead of the film’s screening at this year’s Melbourne Documentary Film Festival, I had the chance to talk with director, Posy Dixon, about her documentary.
The acclaimed Melbourne Documentary Film Festival has arrived in the digital realm. Here are our selections for the top five:
Alex Lines spois with director Iván Castell about his latest music revival documentary The Rose of the Synths.
Wilmington on Fire maintains its path of creating a strong and comprehensive account of the political mood of the time and the world that was left.
Despite feeling disjointed at times, Wake Up: Stories from the Frontlines of Suicide Prevention is a highly informative piece of filmmaking.
Welcome to Chechnya is likely to be the most urgent documentary of the year, but makes many exploitative missteps along the way.
James Benning’s latest work examines the ghostly spaces of human inhabitation through its austere and formalist rigour.
We spoke with Taryne Laffar about her production company: PiNK PEPPER, and the company’s major debut, the documentary, Our Law.
Film Inquiry recently had the opportunity to speak with director Matt Riddlehoover about his Johnny Cash documentary, My Darling Vivian.
Here is a look at the documentary finalists for the 67th edition of The Sydney Film Festival: Virtual Edition.
Cornel Ozies’ prescient and perceptive documentary Our Law is having its world premiere at the digital edition of this year’s Sydney Film Festival.