documentary
In our last report from the 2022 Heartland International Film Festival, Emily Wheeler reviews four more films!
All the Beauty and the Bloodshed is one of the most moving and vulnerable documentaries I have had the opportunity to see.
It speaks volumes when a filmmaker can reach its audience, inspiring them to speak out more, and Is That Black Enough For You?!? does just that.
In our first report from the 2022 Heartland International FilmFestival we give you a taste of the festival!
All That Breathes captures the noble effort to save the Black Kites, transforming from a humanitarian venture to a broad-scale look.
For Sidney Poitier novices and acolytes alike, I think there’s much to be appreciated about this timely homage
Living with Chucky welcomes newcomers into the fold, encouraging a new generation to embrace the revitalization of Chucky.
It all started with Brian de Palma’s Carrie, and Stephen King became a household name.
In her first report Kristy Strouse reviews Fixation, Aristotle & Dante Discover the Secrets of the Universe and Patrick and the Whale!
All the Beauty and the Bloodshed is vibrant and incisive as a portrayal of art’s power in both directions.
In the first report from the 2022 Toronto Film Festival, Soham Gadre reviewed Triangle of Sadness, Pacification and De Humani Corporis Fabrica!
In our first report from the Melbourne Film Festival, Sean Fallon reviews Saloum, Dual, Shadow, The Integrity of Joseph Chambers and The Pez Outlaw!
In 1922, Robert J. Flaherty’s Nanook of the North, the first feature-length “documentary” came out to be a box-office success.
Leigh Bloomfield’s 2022 Extinction Rebellion documentary, Conscientious Protectors, isn’t as radical as its subject matter.
Andrew Dominik’s two documentary productions with musician Nick Cave function more as hypnotic trance of visual, incandescent composition.