drama
From this Cannes Film Festival 2025, Film Inquiry screened Pale View of Hills and Sound of Falling.
Pink Narcissus is a film that is of creative and inspirational importance, a literal relic of possibility in the realm of the visual image.
A sprawling story, Caught by the Tides epitomizes what makes Jia Zhangke one of our most essential contemporary filmmakers.
Despite its curious premise, however, Absolute Dominion appears to pull every punch and kick it throws.
Aesthetically pleasing but ultimately frustrating, Desert of Namibia fails to resonate despite Kawai’s substantial star power.
Just in time for Mother’s Day, Greek Mothers Never Die is a sweet film with enough humor and heartfelt moments for mother and daughter alike.
If you’re looking to change up your popcorn flick pick, Yadang: The Snitch has action, humor, and a plot that keeps you thinking.
Going Down, an Australian cult classic delights in spreading graffiti and pixie dust all over Sydney’s post-punk scene.
Blue Sun Palace pulls back the curtain of a Queens massage parlor to give us an intimate look at the lives of the immigrant women.
Documentarian Courtney Stephens and actress Callie Hernandez join Film Inquiry to discuss “Invention.”
Now newly restored in 4K, Pink Narcissus has returned to hypnotize viewers and remind us of the undeniable impact Bidgood’s had on queer art and culture.
In Invention, an airily shaggy, collaborative piece of improvised, genre-fluid auto-fiction by documentarian Courtney Stephens and actress Callie Hernandez.
Liquor Bank effectively delivers an inspiring message and Marcellus Cox further proves he’s a director to watch.
A Man and a Woman is quite possibly the cinephile’s ultimate date night movie and most definitely a romance that will win you over.
Julie Keeps Quiet is a smart and sensitive debut that succeeds in telling a story about abuse of power while empowering, rather than exploiting.