drama
One Battle After Another urges viewers to shake off the apathy that so often arrives on the heels of fizzling social movements.
Arriving to select theaters this weekend, The War Between is not the type of Western…
There’s usually no shortage of female filmmakers at the Toronto International Film Festival, and with the festival’s 2025 edition, that continues to be true.
While Driver’s Ed and The Ugly are vastly different films, both provide thoughtful social commentary on their respective issues.
Michael Garcia’s debut feature focuses on the grief of struggling musicians and an A&R rep trying to make a comeback.
For his first report from this year’s TIFF Soham Gadre takes a look at Levers, Copper and Mārama.
An energized ‘silent’ action film and a quirky narrative about a real life American who hid from authorities inside a local Toys”R”Us.
Arriving in 4k, there’s never been a better time for Four Nights of a Dreamer to finally take the prominent place it deserves in Bresson’s filmography.
No Sleep Till is a moody tone poem to that singularly paradoxical sense of anticipation and malaise that sends house cats into hiding.
Taxi Zum Klo is a unique and proud feature that dares its audience to consider homosexuality and sexuality in general as natural to being human.
Tsangari seems satisfied to keep Harvest as a teaser, a tragedy of a place with no name and leaving it nameless and without doctrine.
Drowning Dry is a movie that is waiting to burst with its emotional weight but finds itself wafting.
Souleymane’s Story is an urgent, energetic drama that follows a Guinean immigrant through the streets of Paris.
Zoey Sidwell spoke with Film Inquiry about how venture into filmmaking, her learning lessons, anticipation for the future and much more!
In a world that constantly asks women (especially women under authoritarian regimes) to stay silent, Tatami dares to scream. And, it speaks volumes.