drama
Seven Dials’ predictable structure, thin character development, and hollow ending keep it from striking the satisfying note of its strongest predecessors.
With Vindicta, Sedlar commits fully to Hannah’s descent, resulting in a visceral character study of loss, rage, and the devastating cost of survival.
Chaperone is a truly unique film with stellar talent behind and in front of the screen.
A Girl is a Gun is a defiantly quirky and incredibly entertaining example of what made Moullet the chaos agent of the French New Wave.
Lynne Ramsay’s Die My Love starts and ends with the image of Jennifer Lawrence walking…
Though known for her work on documentaries, Marsh has made a strong narrative feature debut with this film.
Some Queen Kelly is better than no Queen Kelly, especially when Milestone Films has devoted such meticulous effort to restoring it.
Mainly, they all deal heavily with trauma, how we deal with it in the moment, and how it can continue to linger, no matter how hard you try to submerge it within your mind and move on.
Two Prosecutors is an austere and purposefully unhurried story of seeking to uphold the law in a world where the law prioritises political expediency at any time changeable and at any cost.
Read on for my thoughts on the latest films from three of my favorite contemporary directors: Christian Petzold, Kelly Reichardt, and Hong Sang-soo.
One Battle After Another urges viewers to shake off the apathy that so often arrives on the heels of fizzling social movements.
Arriving to select theaters this weekend, The War Between is not the type of Western…
There’s usually no shortage of female filmmakers at the Toronto International Film Festival, and with the festival’s 2025 edition, that continues to be true.
While Driver’s Ed and The Ugly are vastly different films, both provide thoughtful social commentary on their respective issues.
Michael Garcia’s debut feature focuses on the grief of struggling musicians and an A&R rep trying to make a comeback.