drama
Though known for her work on documentaries, Marsh has made a strong narrative feature debut with this film.
Some Queen Kelly is better than no Queen Kelly, especially when Milestone Films has devoted such meticulous effort to restoring it.
Mainly, they all deal heavily with trauma, how we deal with it in the moment, and how it can continue to linger, no matter how hard you try to submerge it within your mind and move on.
Read on for my thoughts on the latest films from three of my favorite contemporary directors: Christian Petzold, Kelly Reichardt, and Hong Sang-soo.
One Battle After Another urges viewers to shake off the apathy that so often arrives on the heels of fizzling social movements.
Arriving to select theaters this weekend, The War Between is not the type of Western…
There’s usually no shortage of female filmmakers at the Toronto International Film Festival, and with the festival’s 2025 edition, that continues to be true.
While Driver’s Ed and The Ugly are vastly different films, both provide thoughtful social commentary on their respective issues.
Michael Garcia’s debut feature focuses on the grief of struggling musicians and an A&R rep trying to make a comeback.
For his first report from this year’s TIFF Soham Gadre takes a look at Levers, Copper and Mārama.
An energized ‘silent’ action film and a quirky narrative about a real life American who hid from authorities inside a local Toys”R”Us.
Arriving in 4k, there’s never been a better time for Four Nights of a Dreamer to finally take the prominent place it deserves in Bresson’s filmography.
No Sleep Till is a moody tone poem to that singularly paradoxical sense of anticipation and malaise that sends house cats into hiding.
Taxi Zum Klo is a unique and proud feature that dares its audience to consider homosexuality and sexuality in general as natural to being human.
Tsangari seems satisfied to keep Harvest as a teaser, a tragedy of a place with no name and leaving it nameless and without doctrine.