drama
We spoke with director Melissa B. Miller Costanzo about her new film All These Small Moments, and what inspired her to create this unique adolescent drama.
The Norwegian drama Hurry Slowly is a peaceful, slow paced family drama which remains inviting despite its low narrative stakes.
Adult Life Skills is a poignant examination of a young woman whose growth has been stunted by grief, carried by Jodie Whittaker’s charming performance.
A film that is extremely competently made, it’s easy to understand why And Breathe Normally was praised so highly at Sundance
Brexit: The Uncivil War tells you nothing you wouldn’t already know from almost three years of news coverage and counting.
A form of political agenda has been present in film since the dawn of cinem, with YA adaptations like Harry Potter and The Hunger Games influencing a new generation.
Writer/director Melissa B. Miller Costanzo’s feature debut touches on the complex nature of relationships with a stunning visual eye, resulting in a thought-provoking journey into the ill-defined nature of transitioning into adulthood.
The Upside is occasionally funny and charming, but mostly wastes the talent of those involved, becoming a lackluster remake of the French film.
Rotoscoping hasn’t really been used in this way before. True, this feature from German-Iranian animator…
Much like the eponymous letters, The Aspern Papers is not worth divulging the contents of and would be better off remaining a secret.
Storm Boy, an adaptation of a beloved 70’s Australian children’s book, succumbs to the powers of its own nostalgia.
Sullivan’s Travels may not quickly come to mind when watching Monsters, Inc., but after examining both films, there is a connection in not only their themes but their structures as well.
Lukas Dhont’s directorial debut, Girl, is one of the year’s most irresponsible films, and could have a negative impact on younger trans viewers.
For viewers tired of the gloom and doom of most superhero TV series, Marvel’s Runaways is more than worth escaping to.
While not quite as offensive as Gotti, Speed Kills is just as disposable, with Travolta yet again starring in an incompetent and unimaginative feature.