drama
Household Saints is a strange yet satisfying brew of family drama and spiritual contemplation that deserves the broader audience it has been denied.
Pamela Anderson stars as an aging Las Vegas showgirl at a crossroads, after her acclaimed 30-year-show finally completes its run.
“A Confucian Confusion” is quintessentially Yang, a needle-sharp satire of life in a city increasingly in the thrall of capitalism.
Film Inquiry spoke with Alden Ehrenreich, writer, director and actor, for his short film Shadow Brother Sunday.
The film is both historical and deeply personal in a way that will resonate with those who have been through similar experiences.
Love Actually is as heartwarming as it is quotable – the experience of love and joy a permanent staple each and every year.
“Princess Cyd” is superbly shot, written and acted, with a relaxing slice-of-life approach to its story that makes it a delight every time.
Benefitting from a strong cast (and an even wiser script) Dumb Money adds a touch of wit and wildness to the tired biographical drama format we’ve seen.
Scrooged skillfully blends a cocktail of valuable lessons and infectious laughter, ensuring its place as a memorable addition to the holiday film canon.
Concrete Utopia stakes its claim as the heir apparent to Parasite and Squid Game and should have similar crossover appeal for international audiences.
Shadow Brother Sunday accomplishes numerous feats, boasting pitch perfect performances, and Ehrenreich displays remarkable promise.
A prime example of what political cinema should be, Eros + Massacre is an intriguing and challenging work from one of Japanese’s singular talents.
Welcome to A Century in Cinema, the monthly column where I’ll be discussing films from…
Saltburn will be divisive for many, but derivative for more.
Napoleon feels a lot like its titular character: loudly ambitious to a fault, and it can’t make up its mind on what to be.