drama
The 2023 Heartland International Film Festival has come to a close, but I’ve got one last report on some of the big titles that ended the festival.
Tokyo Cowboy is a bit shaggy in places, but we stick around for the character moments because they feel mostly benevolent and genuine.
In Ferrara’s world of fatalistic nihilism in The Funeral, there’s no escape from life torments, and only death and self-destruction hold the key.
Director David Fincher returns with The Killer, a stylish thriller about an assassin played by Michael Fassbender.
In the latest report from LFF 2023, Paddy Wilson features vampires at Paul Mescal’s door and devils in David Dasmalchian’s studio – a divine combination if ever there was one.
The Bikeriders film evokes an interesting time and place in US history, in which Nichols’ ensemble cast take big swings – and get big enough hits.
I’ve never seen a documentary quite like Alexander, that started off so strong and vividly emotional…
There are a lot of movies that like to take on public issues silently, hiding them in the background. Marisol is not one of those films.
Jonathon Glazer’s The Zone of Interest is a hauntingly reverberating film that will stick with its audience long after the film has concluded.
Anatomy of a Fall needs no dissection to understand why this is sure to become one of your favorite films of 2023.
From New York Film Festival, Lee Jutton reviews La Chimera and About Dry Grasses!
In May December, there are more important things than the answers to Haynes’ litany of questions, which may frustrate some viewers.
Jackson Sterns dives into Succession season 4 and how the one episode changed everything.
Through its bleak beautiful cinematography and its off-kilter score, The Settlers is a riveting piece of work that will be among the year’s best films.
Film Inquiry spoke with Gary Clark, Composer of Flora and Son!