drama
Killers of the Flower Moon showcases everything one would expect in a Martin Scorsese movie. In this case, it is both a blessing and a curse.
Thin Skin is a delightful film, equal parts heart and humor with the thematic motif of passion and tenacity that speaks to every creative.
With Juliette Fairley’s newest short film, “Adult Children of the American Revolution,” we face an experience that’s as funny as it is uncomfortable.
In the end, Firefly is full of not only wit, style and imagination, but a burning compassion for its characters, along with their individual differences.
Is Andrew Haigh okay? Silly question: Of course he isn’t, he’s a filmmaker. An auteur,…
The Holdovers is overflowing with gentle warmth and biting humor, making for a perfect Christmas movie and an easy go-to cheer-up picture.
Known as Universal’s “Super Jewel” of 1923, “The Hunchback of Notre Dame” was a smash hit, catapulting Lon Chaney to full-star status.
For fiction writers, a commonly-heard tip is to “write what you know.” In that same…
Killers of the Flower Moon is both a faithful adaptation and a masterful epic from Martin Scorsese. It is authentic, respectful, and informative, exuding the talents of those both in front of and behind the screen.
Audition is a slow burner of a horror, an almost perfect example of a frog in boiling water.
While Sick Girl encompasses a wide range of performances, it is the performance of Nina Dobrev that truly stands out.
Two of the world’s most acclaimed filmmakers, Ryusuke Hamaguchi and Wim Wenders, screened their new films that at this year’s New York Film Festival.
The 2023 Heartland International Film Festival has come to a close, but I’ve got one last report on some of the big titles that ended the festival.
Tokyo Cowboy is a bit shaggy in places, but we stick around for the character moments because they feel mostly benevolent and genuine.
In Ferrara’s world of fatalistic nihilism in The Funeral, there’s no escape from life torments, and only death and self-destruction hold the key.