drama
If there was one theme running through the 2023 New African Film Festival, it was that of an increasingly desolate economic landscape.
One of the best shows of 2023 so far, Beef is an impeccably cast, riotous effort that disarms and discomforts in equal measure.
Everyone involved displays an appreciation to be on the screen telling this wacky, poignant, and compelling story, making this a total recommendation.
That Martin Roumagnac was the only film they ever made together makes it a must-see for any fan, and a wonderful remembrance of their real-life romance.
The Worst Ones asks some very complex and compelling questions about the ethics of filmmaking and the emotions of young actors.
Film Inquiry spoke with writer/director Tomás Gómez Bustillo for Chronicles of a Wandering Saint!
In her final report from the 2023 SXSW Film Festival, Kristy Strouse reviews Furies, Fry Bread Face and Me and Late Night with the Devil!
Whilst some of Winners references and statements might not be evident to those unfamiliar with Iranian cinema, it has themes that are universal to all.
There have been a lot of good shows, don’t get me wrong, but nothing can compare to the level of excellence The Last of Us provided.
The Magician’s Elephant is heartwarming and pure, and while predictable to a fault, it is a film the whole family will enjoy.
Critiques aside, Shadow and Bone’s second season is not without its successes, and by season’s end, you will find you can’t wait to return.
A dreamlike evocation of love and longing on the banks of the titular river running through Shanghai, Lou Ye’s Suzhou River is a landmark film.
In my second report from this year’s SXSW, I dive into three more very unique titles including science fiction, teenage drama, and horror.
The Middle Man was a happy surprise that is fun and heartfelt, tragic and funny.
Until Branches Bend’s lackluster attempt to craft tension and urgency leaves its audience uninvested and without curiosity for more.