drama
Film Inquiry spoke with Ted Lasso’s musical supervisor Tony Von Pervieux about his work on the show and its latest season.
The Line is a well-oiled stress machine with its depiction of this pervasive, casually cruel facet of college life.
Making a good double feature, Payton McCarty-Simas reviews He Went That Way and Dead Girls Dancing!
Fantastical yet relatable, Bucky Fucking Dent is a moving debut by David Duchovny.
In her first report from Tribeca Film Festival 2023, Kristy Strouse reviews Laroy, Chasing Chasing Amy & The Graduates!
With Catching Dust, Stuart Gatt crafts a narrative tale around the explosive power of human emotion.
The spell Playland casts over its subject matter, an act of poetic reanimation, carries over to its viewers.
Against All Enemies is surprising in the emotions its garners from its audience, always resolute to is overall message, but unafraid to listen.
Padre Pio leans into its politics and historical fealty; the spiritual aspects are heady, abstract, and dense.
A timeless coming-of-age tale told beautifully by Marcello and his collaborators, Scarlet is a cinematic treat for the eyes, the ears, and the heart.
Unidentified Objects is a fantastic love letter to road films.
Omen is an undeniably beautiful film that is a prime showcase for Baloji’s talents as a visual storyteller.
L’abbe Pierre stuns with incredible, reflective artistry, designing a an exquisite stage Benjamin Lavernhe dominates from start to finish.
Jonathan Glazer has made a film like no other with The Zone of Interest, one that festers in the mind like a disease.
With its gorgeous cinematography and an incredible performance from Mouna Hawa, Inshallah A Boy proves that freedom is in the fight.