drama
In the film’s approach to try depicting its scandalous central relationship as naturally occurring as possible, Wet Season sacrifices narrative or emotional thrust.
While it may not be as ambitious or as deep as it could have been, it is an exciting genre film with a charismatic performance from Angelina Jolie.
Robert Machoian’s The Killing of Two Lovers is an upcoming marriage drama starring Clayne Crawford, Sepideh Moafi, and Chris Coy.
Karl Holt’s Benny Loves You is a madcap feature debut that toys with a man-child’s inability to let go of childhood.
While lavish historical dramas laden with European accents are increasingly out of vogue with moviegoers, Queen Marie isn’t without its charms.
While Spring Blossom shows potential, especially in Lindon’s acting and directing, the script here falls flat.
With lots to admire about the ambitious reimagining, including strong performances and visual flair, the modernization of this tale feels out of place.
Delivering solid and unforgettable performances from Glenn Close and Mila Kunis, Four Good Days is brilliantly done, and quietly effective.
With About Endlessness, Roy Andersson once again weaves together short vignettes that uncover the intricacy and vulnerability of the human condition.
A detailed review of Olivier Assayas 1996 film Irma Vep the Criterion edition that includes audio, video, and special features.
Stowaway had the potential to be an incredible examination into the philosophy surrounding survival and hope, yet delivers with a lackluster presentation.
Film Inquiry interviews Joe Penna about his film Stowaway and the sense of isolation it presents and the everlasting prospect of hope.
While it takes the series a few episodes to find its footing, it eventually settles into an even pace, supported by the strong performances and adaptation.
Music is just another piece of the puzzle in forming the gross picture of ableism, placed with good intentions or lack of insight.
As captivating of an examination it is, Monday constantly threatens to lose its audience, its pace and lack of empathy disconnecting.