drama
In her last report from Sundance Film Festival, Kristy Strouse reviews four more, very different (tonally and subject-wise), films.
Too caught up in its own inventive twist on the world, Bliss offers high concept science fiction without tying it to something meaningful.
Farah Nabulsi’s short film, The Present, captures the dehumanising and frustrating experience of living under occupation.
Mass may not be an easy film to watch, but its emotional journey is both important and emotionally gratifying.
Profound, gorgeously shot, and performed, Little Fish is a film that is unforgettable.
In the long tradition of many Oscar submitted-films before it, its a shame to see Two of Us try to do too much.
Here there’s no such thing as taboo – and that, in the end, is the beauty of Jerrod Carmichael’s directorial debut On the Count of Three.
In his latest report from the 2021 Sundance Film Festival, Wilson Kwong reviews Marvelous and the Black Hole and Land!
While at the 2021 Sundance Film Festival, Wilson Kwong spoke with Marianne Rendón and Adam Brooks about their new film These Days.
In her second report, Kristy Strouse shares three more films that she adored, all very different, but each with fantastical elements.
In his first report from the 2021 Sundance Film Festival, Wilson Kwong reviews R#J and First Date from the festival’s NEXT program.
One for the Road proves further that Baz Poonpiriya is one the most exciting Asian filmmakers working today.
The Little Things wants to be a movie absorbed in its meticulous clues and details, yet stumbles over itself at nearly every possible moment.
Erin Vassilopoulos spoke with Film Inquiry about her film Superior during its premiere at Sundance Film Festival 2021.
The performances Siân Heder draws from her actors always hits the right note that it’s nearly impossible for you to not fall in love with this movie.