drama
Alex Lines had the chance to talk with directors Bill and Turner Ross for their film Bloody Nose, Empty Pockets.
At the end of the day, Plan B is a sweet little story that turns a familiar plot on its head in a positive way.
As we struggle to come to terms with the sins of our country’s past and present, Cut Throat City helps us to better see the sickness within our society.
As lovely as the works of Eric Rohmer, The August Film is a perfect summer film for thirtysomethings who have not yet found themselves.
While delivering an updated depiction of the inventor, Tesla falters in its attempt to deliver the true brilliance of Nikola Tesla.
A Question of Silence is considered by many well-versed feminists and academics to be a classic of progressive cinema. So, why haven’t you heard of it?
Lovecraft Country is a knockout of a show, and one that is epic, terrifying, and relevant altogether.
With a memorable dual role from Seth Rogen, An American Pickle is intentionally illogical, tonally wacky, and surprisingly personal.
After all the attention and commitment to the story, Waiting for the Barbarians leaves viewers without a solid and satisfying payoff.
With a stellar cast and the beautiful cinematography, a benchmark of the Merchant Ivory productions, on full display, Maurice is well worth the watch.
Overflowing with internal and external conflict, Hans Petter Moland’s Out Stealing Horses is a gently-paced, exceptionally-written, sensory experience.
Before/During/After blends a journey of self-discovery with an examination of marriage from start to the unexpected end.
Kevin Lee spoke with Karen Maine about sexual education, her personal experiences in Catholic school, how that guided her direction in the film and more!
With Proxima, Winocour has left an indelible mark on cinematic space travel, by viewing it through a feminist lens and placing more emphasis on earth.
Reichardt once again displays her generous understanding of life on the margins, and the implicit need to create relationships in harsh lands.