drama
Lovecraft Country is a knockout of a show, and one that is epic, terrifying, and relevant altogether.
With a memorable dual role from Seth Rogen, An American Pickle is intentionally illogical, tonally wacky, and surprisingly personal.
After all the attention and commitment to the story, Waiting for the Barbarians leaves viewers without a solid and satisfying payoff.
With a stellar cast and the beautiful cinematography, a benchmark of the Merchant Ivory productions, on full display, Maurice is well worth the watch.
Overflowing with internal and external conflict, Hans Petter Moland’s Out Stealing Horses is a gently-paced, exceptionally-written, sensory experience.
Before/During/After blends a journey of self-discovery with an examination of marriage from start to the unexpected end.
Kevin Lee spoke with Karen Maine about sexual education, her personal experiences in Catholic school, how that guided her direction in the film and more!
With Proxima, Winocour has left an indelible mark on cinematic space travel, by viewing it through a feminist lens and placing more emphasis on earth.
Reichardt once again displays her generous understanding of life on the margins, and the implicit need to create relationships in harsh lands.
Despite taking place in a city with a ubiquitous gang subculture, Days of the Whale is unconventionally warm and luminous.
Amy Seimetz’s sophmore directorial effort is full of great performances, but never engages with the premise enough.
Made in Italy is a fine film to cozy up to, as long as you can overlook the awkwardness and lack of narrative development it presents at times to audiences.
If there’s anyone who can turn something mundane into something magical, it’s director and writer…
Black Water: Abyss starts strong in its horror, but too quickly, the film devolves into a story of drama with a background of splashing water.
It is an unapologetically quirky indie with a big heart and some very valid points to make about the insidiousness of fascism.