drama
Quiz may not be historically accurate, but by maintaining its ambiguity, Quiz manages to achieve something bigger.
I’m No Longer Here allows the heart to overpower technique, and resulting in a heart-warming tale of cultural identity and the lack of it.
Boaz Yakin’s Aviva is an experience not just in the crafting of relationships, but what goes on behind the scenes.
Lee Jutton spoke with Agnieszka Holland about her film Mr. Jones, the most surprising thing she learned while making the film, and the role of journalism in keeping democracy alive today.
With its diverse cast, well fleshed-out characters, and stylistic choices, Go Fish is a must-watch.
Mr. Jones highlights the need for investigative journalism even in a world where hard evidence can be met with accusations of untruth.
Luke Parker spoke with producers and stars of Mighty Oak, Carlos And Alexa PenaVega, the famed couple who know a thing or two about being child actors.
One of the biggest joys in watching Billions is witnessing the rivalry between Bobby Axelrod…
The final installment of the wonderfully light The Trip series has the same offerings fans can expect, with lots of new favorable additions.
Luke Parker recently had the pleasure of speaking with Norm Lewis about his experiences working on Da 5 Bloods, Spike Lee’s new film.
Da 5 Bloods is the first great Black Vietnam film, not just the first. It’s a movie whose modern envelope minces empathy and excitement within the unsung sacrifice of the African American soldier.
Ariane Labed’s Olla tells an important tale of the migration of resourceful, young, Eastern European women into Western Europe.
Cinema is an incredible and invaluable tool for education, and we need it now more than ever.
Satyajit Ray’s Agantuk (The Stranger) attempts two examinations of India – one of gender dynamics and the other a much more philosophical look.
The absence of parental guidance through the strategic use of antithesis allows Extracurricular to hold its characters accountable for their mistakes.