drama
A New Christmas may not be the best thing to find under your tree, but it’s still a nice treat.
My Time is eminently enjoyable and tackles important subject matter for people of all ages.
Things are ramping up in the world of His Dark Materials. Threads are beginning to connect, and yet, they also seem to be more muddled than ever, keeping us happily anxious in our seats.
The Warrior Queen of Jhansi displays well the difficult position of Ranibai of Jhansi, with a respect for her cleverness and leadership while acknowledging her faults and mistakes.
Just as A Hidden Life is arguably Malick’s most directly religious film, it is also his most directly political and possibly by virtue of its subject matter, least poetic.
Anchored by a lovable cast and an action-packed trek that crosses dimensions, Marvel’s Runaways ends up going out with a bang.
We spoke with director Tom Cullen about his film Pink Wall, which is a worthy addition to the relationship drama canon that deserves not to be overlooked at the box office.
Kristy Strouse was able to chat with Justin Long about the making of the movie After Class, his love for film and his upcoming dream projects!
Uncut Gems is powerful, almost masterful filmmaking from Josh and Benny Safdie and features a career-best performance from Adam Sandler.
The Good Liar features great performances from Ian McKellen and Helen Mirren, but the film can’t overcome other problems. Chris Cassingham reviews.
Netflix is again spreading Christmas cheer in cringeworthy fashion with another festive addition to their platform: The Knight Before Christmas.
Marriage Story is a promising film, but Baumbach’s strategies in drawing out his character arcs are uneven, insufficient, and disappointing.
Blue has a lot of heart, and being based on true events, never sugarcoats the reality of suicide ideation but it doesn’t glorify it either.
The events portrayed in Bombshell may have captured the world’s attention, but this film delivers too soft a punch to make the same impact.
Released in 1944, Vincente Minnelli’s charming, evergreen musical Meet Me In St. Louis once accompanied the country’s drudging attachment to World War II.