drama
Erupcja captures the fleeting magic of vacationing in a foreign land and wanting it to somehow last forever… though, it wouldn’t be very magical anymore.
Film Inquiry spoke with writer/director/composer of We Do Our Best, Hannah Ammon.
The Stranger is visually stunning, well-acted, and rich with the heady atmosphere one gleans from the pages, but still leaves you wanting more.
Home Delivery offers a warm, often funny, and occasionally uneven experience that wears its heart openly.
Caroline Golum’s sophomore feature boasts a highly stylized, homespun aesthetic that is guaranteed to charm you.
There are a lot of different kinds of love, and whether it be familial or romantic, it never comes easy. We take a look at two such films at SXSW:
Two of the films at SXSW this year were about the high school experience and the way art can transform and heal.
Palestine ’36 is an important film despite its imperfections—mainly, its valiant attempts to do and say a little too much for one movie.
Film Inquiry had the pleasure of sitting down with Emily Robinson to discuss her journey, the creation of her film, and the profound themes it explores.
This year’s Oscar-nominated Live Action Short Films have such variety to offer, you’ll likely find something to love, no matter your taste in film.
Lovely to look at on the surface, yet even more rewarding when you delve deeper, Days and Nights in the Forest is all too worthy of being revisited.
Here it is, my final Sundance coverage from Park City. It’s been a bittersweet journey,…
Some of this year’s coverage from Sundance Film Festival 2026, the last in Park City.
Seven Dials’ predictable structure, thin character development, and hollow ending keep it from striking the satisfying note of its strongest predecessors.
With Vindicta, Sedlar commits fully to Hannah’s descent, resulting in a visceral character study of loss, rage, and the devastating cost of survival.