drama
No Sleep Till is a moody tone poem to that singularly paradoxical sense of anticipation and malaise that sends house cats into hiding.
Taxi Zum Klo is a unique and proud feature that dares its audience to consider homosexuality and sexuality in general as natural to being human.
Tsangari seems satisfied to keep Harvest as a teaser, a tragedy of a place with no name and leaving it nameless and without doctrine.
Drowning Dry is a movie that is waiting to burst with its emotional weight but finds itself wafting.
Souleymane’s Story is an urgent, energetic drama that follows a Guinean immigrant through the streets of Paris.
Zoey Sidwell spoke with Film Inquiry about how venture into filmmaking, her learning lessons, anticipation for the future and much more!
In a world that constantly asks women (especially women under authoritarian regimes) to stay silent, Tatami dares to scream. And, it speaks volumes.
A poetic depiction of how the passage of time has affected a place so close to Frammartino’s heart, Il Dono is a film to lose yourself in.
Newly restored: Rosa La Rose, Fille Publique deserves her second chance in the spotlight.
Film Inquiry spoke with star and producer of Unfaithful Jack D. Fleischer!
Filled with nostalgia for the past as well as hope for the future, Shanghai Blues is a romp worth revisiting as it re-enters theaters.
A stunning snapshot of young womanhood in a very specific time and place, The Sealed Soil is a classic of world cinema that deserves to be discovered by new audiences.
From this Cannes Film Festival 2025, Film Inquiry screened Pale View of Hills and Sound of Falling.
Pink Narcissus is a film that is of creative and inspirational importance, a literal relic of possibility in the realm of the visual image.
A sprawling story, Caught by the Tides epitomizes what makes Jia Zhangke one of our most essential contemporary filmmakers.