fantasy
Fantasy and sci-fi films push our suspension of disbelief regularly – but can we complain about them being unrealistic if this is pushed too far?
A form of political agenda has been present in film since the dawn of cinem, with YA adaptations like Harry Potter and The Hunger Games influencing a new generation.
It’s undeniably flawed, but considering its mindbogglingly low £2,000 budget, The Bastard Sword is an impressive achievement.
A happy accident spit out the low-budget Hollywood machine, Teen Witch is compelling in a way that no individual person could pull off on their own.
“A Midwinter’s Tale” was a solid episode, packed with holiday cheer, ill-willed entities, and potential demonic tragedies, making it one of the best in the series thus far.
If the Fantastic Beasts films are going to recapture the magic of Harry Potter, they need to focus on where their true magic lies, and that might be with one man named Jacob Kowalski.
Welcome to Marwen is an unfortunately shallow endeavor, with trite dialogue and a saccahrine portrait of very serious issues.
Yes, It’s a Wonderful Life is wholeheartedly a festive classic of the highest order, but it is, more importantly, a lesson that teaches us true richness cannot be determined by wealth.
Mortal Engines clearly understands its source material, which makes for a fantastic first act, but has trouble successfully adapting it, resulting in the rest of the film being lackluster.
EM Waves. Polarization. 3D. Have you heard terms like these flying around sci-fi movies and TV? Have you ever wondered about their scientific accuracy?
For those in love with the Archie comics, the original Sabrina and Riverdale, Chilling Adventures of Sabrina is sure to please, with its reimagining providing a little something for everyone.
In the 16th part of Fantasy Science, we are going to look at how the extendable ears from Harry Potter might work in the muggle world. Let’s begin.
The Crimes of Grindelwald introduces us to a plethora of new characters, attempts to do too much with them, and then, unfortunately, overly relies on the nostalgic factor of the original films.
With Slaughterhouse Rulez, it seems Simon Pegg and Nick Frost haven’t quite let go of the comedy/horror genre, only this time with a different director and with uneven results.
Tomm Moore’s 2014 animation Song of the Sea is an unapologetically emotional tale, that aims to make the viewer embrace what it means to be human.