fantasy
The Spierig Brothers’ latest “based on a true story” horror movie Winchester is a cinematic checklist of every dreadful ‘haunted house’ cliche, every formulaic competent that’s been implemented by other, better genre entries.
It’s been 25 years since Groundhog Day premiered, but its enduring quality lives on. Its humor, tender performances, sincerity, and feel-good ending are just as impactful as the raw existential statement that it provides about how to find true contentment.
Pleasantville is still relevant 20 years later: In a time where the American Dream is being redefined, Pleasantville tries to tell us that among the chaos and imperfection of this world, you can still find happiness.
Saturday Church is a story of hope and redemption and yet another “need to see” tale, of a group of people deemed “different” by society, that ends up proving how alike we all actually are.
Becoming Jessica Nigri documents Nigri’s uniquely devoted cosplay, delving into what it means to her in addition to the idea of cosplay in general.
The Last Jedi is a polarizing film, but looking deeper into Rian Johnson’s vision you will find some potent themes, including the failures of masculinity.
Bright is a film trying too hard, with an execution that leaves something to be desired. What is good gets smothered under the excess, and while it might keep some entertained it doesn’t stick with you.
In finding the perfect lead in Jackman as Barnum, providing moving and invigorating musical numbers executed by a stellar secondary cast, impressive visuals, and covering timely topics, The Greatest Showman overcomes its narrative shortcomings.
Edward Scissorhands is one of those rare films where everything, every single aspect came together perfectly to create “movie magic”.
The Shape of Water, Guillermo del Toro’s 10th feature, is loaded with qualities to praise, including beautifully-lit cinematography, a haunting score, and exceptional performances, but as a whole it’s not quite as impactful as it could’ve been.
If you are looking for the best film of the saga, Star Wars: The Last Jedi is not the film you are looking for.
With innocent characters and a basic plot, the beauty and simplicity of The Nightmare Before Christmas has helped it stand the test of time.
Coco is a refreshingly respectful look at Mexican culture, told from a child’s perspective but in a surprisingly poignant way as well.
With his hundredth film, director Takashi Miike shows no signs of slowing down, with another fantastic, blood-soaked cinematic treat.
At times mysterious and intoxicating, Holy Terrors is an above average supernatural horror anthology – but it most definitely has its flaws.