On the Basis of Sex is not likely to plant the seed of determination in the next RBG, as they don’t need pop feminist representations of even the most laudable of figures.
Who would have thought the embodiment of Satan would be seen as a pop culture icon in 2018, and his return to screens would bring a new outlook on the role of women in media.
We take a look at the sexualisation of the women in Mad Max: Fury Road and Thelma & Louise, two feminist films – not to vilify, but to offer insight into their subliminal messaging.
Widows is a thrilling, satisfying and breathtaking experience that toys with the conventions of the genre while bringing enough depth and surprises of its own.
American Horror Story has referenced previous seasons throughout the show but has scarcely included “Murder House”, this year calling forth old ghosts, cutting open their retelling of Rosemary’s Baby in 2018 and considering what else is to be said.
Though Nappily Ever After begins as encouragement that Black women embrace their natural beauty, it soon feels like a judgment of women who put effort into their appearance.
While many found the 2017 release of Blade Runner 2049 to be misogynistic, the perceived sexism within the film may be more than meets the eye as the movie turns out to express anxiety about the past and not the future and an avoidance of human society.