French Exit is one of the most distinctive films of the year, delivering witty dialogue, nuanced performances and a resounding depiction of acceptance.
MLK/FBI is damning of the behaviors of the FBI and its treatment of not only the leader of a revolution and the deeply rooted racism that still lingers.
We spoke with Sydney South African Film Festival director Claire Jankelson about the fest’s lineup, the distinctive qualities of South African cinema and how the festival has reinvented itself within COVID-19 restrictions.