film festival
The Manga Master takes a potentially interesting subject, and transforms his life into the stuff of biopic cliche.
In part three of our Tokyo International Film Festival coverage, we discuss a retrospective on the comedy classic Some Like it Hot.
We present to you the winners of the 2018 Drunken Film Fest, which this year had a series in Oakland, California.
Steve Coogan and Paul Rudd star in Ideal Home, a comedy about an upper middle class couple that feels out of touch, and severely outdated.
Vox Lux is a weighty experience guaranteed to take a toll on viewers, both from its philosophical musings and its uncompromising look at 21st century violence.
We spoke with Chicago International Film Festival Artistic Director, Mimi Plauché, about her experiences as artistic director and working in Chicago.
Our report from Chicago International Film Festival, with reviews of, among others, Friedkin Uncut, In the Aisles, and Father the Flame.
We spoke with Sandra Seeling Lipski, director of Evolution Mallorca International Film Festival, about what new things the fest has to offer this year, and more.
Roma is a film that improves with each passing minute; even though occasionally underwhelming, the longer it lingers in your mind, the more of an impact it will have.
Green Book is cinematic comfort food, equipped with witty performances and the aura of social importance, yet undistinguishable from the tons of other polite Oscar dramas that came before it.
We got the chance to speak to director Yann Gonzalez about his new film Knife + Heart after its US premiere at Fantastic Fest.
Alex Lines reports on the films he was able to see at the Delphi Bank 25th Greek Film Festival, which celebrates the film movement known as the Greek Weird Wave.
Kate Nash: Underestimate the Girl is an uplifting documentary that proves that even when your circumstances change for the worst, you can rise above them and come out renewed.
In our first report from Film Fest 919, Josh Martin recounts the nauseating absurdity of Dogman, memorably fascinating Destroyer and Cannes’ Palme d’Or Shoplifters.
Transit and Diamantino are two films that, though with varying approaches and to varying success, attempt to delve into the political turmoil of our world through their narratives.