film festival
Roma is a film that improves with each passing minute; even though occasionally underwhelming, the longer it lingers in your mind, the more of an impact it will have.
Green Book is cinematic comfort food, equipped with witty performances and the aura of social importance, yet undistinguishable from the tons of other polite Oscar dramas that came before it.
We got the chance to speak to director Yann Gonzalez about his new film Knife + Heart after its US premiere at Fantastic Fest.
Alex Lines reports on the films he was able to see at the Delphi Bank 25th Greek Film Festival, which celebrates the film movement known as the Greek Weird Wave.
Kate Nash: Underestimate the Girl is an uplifting documentary that proves that even when your circumstances change for the worst, you can rise above them and come out renewed.
In our first report from Film Fest 919, Josh Martin recounts the nauseating absurdity of Dogman, memorably fascinating Destroyer and Cannes’ Palme d’Or Shoplifters.
Transit and Diamantino are two films that, though with varying approaches and to varying success, attempt to delve into the political turmoil of our world through their narratives.
In this first report from NYFF, we delve into Jean-Luc Godard’s latest film and an experimental feature from Ming-liang Tsai.
With many of Film Inquiry’s staff attending London Film Festival this year, we will be covering many of the festival’s hidden gems.
Our last report from this year’s TIFF includes reviews of the latest offerings by Frederick Wiseman, Paweł Pawlikowski, Christian Petzold, and more!
Gareth Evans delivers another gem with Apostle, and the Blumhouse-produced Cam is a satisfying watch despite its weak payoff.
Nicolas Cage stars in Between Worlds and Tunisian filmmaker Abdelhamid Bouchnak delivered an excellent horror – this is our second report from Austin’s Fantastic Fest.
Luca Guadagnino’s remake of Dario Argento’s Suspiria seeks to get under your skin, intimately and irreversibly – and succeeds in doing so.
Hazem Fahmy reports on the films he saw at Fantastic Fest 2018 in Austin, Texas: A singular Japanese ode to horror, a disappointingly clichéd horror and a French queer film that pushes buttons.
Our penultimate Toronto International Film Festival report brings you a review of Palme d’Or winner Shoplifters, plus films by Jia Zhangke, William McGregor, and more!