filmmaking
Ian Nathan’s new book provides a definitive account of how Peter Jackson and his crew ripped Middle Earth from the page and translated it to the big screen.
The Souvenir is a refreshingly honest look at first love, class and privilege and includes a great performance by Honor Swinton Byrne. Janet Lee reviews.
Making a film may seem like a daunting task, but here we break down the steps to do so – and perhaps make it seem not so daunting after all!
Impetus is a film for those dedicated to the filmmaking craft, and the unconventional ways it can be molded to create unique means of storytelling.
We spoke with director Melissa B. Miller Costanzo about her new film All These Small Moments, and what inspired her to create this unique adolescent drama.
The unbelieveable true story of Shirkers offers a bittersweet end to a decades long saga in the life of independent filmmaker Sandi Tan.
If you don’t care about Orson Welles, The Other Side of the Winf does not stand up well enough on its own to be worth your time.
Helenna Santos shares how she and her team managed to make their feature film, At Your Own Risk, with just $1000.
%%excerpt%% The Insufferable Groo is an endearing and often funny profile of an amateur filmmaker who’s equally inspiring as he is narcissistic.
In this in-depth conversation, we spoke with Boots Riley about his artistic influences, the “2018 Rat Pack,” as he calls his cast, his seven-year journey of getting Sorry To Bother You made, and more!
We had the chance to talk with Mike Ott, director of fiction/non-fiction blend CALIFORNIA DREAMS, about documentary filmmaking and about the fine line between fiction and reality.
Unsane has been filmed with an iPhone, giving the picture a paranoia-fuelled low-fi fuzz. This is more than just a marketing gimmick, as Soderbergh’s film centers on the idea of stalking – a timely focal point considering the mass of sexual allegations that Hollywood has found itself mired in.
Prince of Nothingwood documents Salim Shaheen, a passionate Afghan director who makes dozens of low-budget films in his troubled home country, becoming idolized by many as a result.
Both Ed Wood and Tommy Wiseau are renowned for their truly bad movies; two later films attempted to uncover the depth of their enigmatic natures: Tim Burton’s Ed Wood and James Franco’s The Disaster Artist.
The Disaster Artist is a painstakingly recreated and, above all, entertaining film about the making of Tommy Wiseau’s cult classic The Room.