filmmaking
While it might sound dense and only appealing to a niche demographic, Ghani’s immersive record is a curiosity that will satisfy any inquiring cinematic mind.
Xiaoyu Yang, director of the upcoming musical short film Another Beautiful Day in Paradise shares insider tips for first-time short filmmakers and film students.
Once Upon a Time in Uganda is a nice supplement to the ongoing, exciting story of Wakaliwood and the perfect thing to tie us over whilst we wait for their next awesome movie.
In this extensive interview, Musanna Ahmed spoke to Minhal Baig about audience preconceptions of Hala, portraying the diaspora, her family’s response, Ms. Marvel and much more.
When you think of the “father of cinema” or the one person that might have…
The Horror of Dracula is one of the greatest horror films of all time. Or the last seven minutes are, at any rate.
It would be unsurprising to see Making Waves used for educational purposes in film sound classes for years to come, but even your average film buff will enjoy it.
Comprised as it is primarily of archival footage and talking heads collectively geeking out, it could be easy to find Memory: The Origins of Alien overly dry.
Herself a Mainer, Mackenzie Bartlett wrote and directed her script The Party for last year’s Portland-Mainze based Damnationland festival.
Though its most lasting power comes from characters on the fringes, Kid Icarus offers a rich and entertaining perspective on growing up aimless in the American West.
We spoke with Morocco Vaughn, a Chicagoan filmmaker whose directorial debut Mollywood has just been released to digital and on-demand.
We spoke with Harry Greenberger about his directorial debut Staring At the Sun, the film’s festival run, and what he has planned next!
Ian Nathan’s new book provides a definitive account of how Peter Jackson and his crew ripped Middle Earth from the page and translated it to the big screen.
The Souvenir is a refreshingly honest look at first love, class and privilege and includes a great performance by Honor Swinton Byrne. Janet Lee reviews.
